Sally Donovan (
cop_an_attitude) wrote2012-03-10 10:43 pm
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Entry tags:
01 | [Voice/Action]
[For a moment, nothing happens. The camera is focused on a patch of grass. There are rustling sounds and a woman's voice mutters indistinguishably to herself, and eventually the journal is righted so that the camera focuses on Sally's face. There is a leaf in her hair. She does not look happy.]
Right, I think I've worked out what this thing does, and I just want to say that if this is someone's idea of a joke, I'm not laughing. See this? [She lifts up a police badge containing her ID.] This is a police badge. It's my police badge, yeah? It says I'm Sergeant Sally Donovan of London PD, which means that when I find out who's responsible for this, for...this [She gestures down the length of her body, at the dress that isn't hers] and for this [She turns the journal to take in the unfamiliar surroundings] and I don't even know how to start about this [She jerks her thumb over her shoulder at the pair of dark brown wings that definitely aren't supposed to be there] that person or persons are in a world of trouble.
My advice to you, whoever you are, is to come forward immediately. That's less trouble on my part and a lighter sentence for you, so it's in everyone's best interest. Do not make me find you.
[Sally fumes silently for a moment, and when she decides her point has been made, the recording ends.]
Right, I think I've worked out what this thing does, and I just want to say that if this is someone's idea of a joke, I'm not laughing. See this? [She lifts up a police badge containing her ID.] This is a police badge. It's my police badge, yeah? It says I'm Sergeant Sally Donovan of London PD, which means that when I find out who's responsible for this, for...this [She gestures down the length of her body, at the dress that isn't hers] and for this [She turns the journal to take in the unfamiliar surroundings] and I don't even know how to start about this [She jerks her thumb over her shoulder at the pair of dark brown wings that definitely aren't supposed to be there] that person or persons are in a world of trouble.
My advice to you, whoever you are, is to come forward immediately. That's less trouble on my part and a lighter sentence for you, so it's in everyone's best interest. Do not make me find you.
[Sally fumes silently for a moment, and when she decides her point has been made, the recording ends.]
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This has been done to other people? Are you one of them?
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[she hardly ever uses the video function, but she manages to turn it on now with minimal fumbling. With a face to match the voice, she seems even younger, her smile more youthful than her actual 25 years let on]
This place has a way of taking what you expect and turning it on its head.
In the meantime, though...have you found the village yet? Or could you use a guide?
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Hello...yeah, I'm starting to realize this place is...
There's a village? I - usually I've a good sense of direction, but I haven't got the slightest clue where I am. Uh, sorry, what's your name?
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I can come out and find you if you can give me a landmark to work off of. Do you see any watch posts? Or streams or bridges?
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I'm near a stream now; I thought it might lead me out of the forest. It's about five feet wide here, and - hang on...yeah, I think that's a bridge up there. To the north of me.
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If you give me fifteen to twenty minutes, I could meet you. Or, if it's too cold, keep following the stream north. If you're where I think you are, you'll be heading towards the village. I can meet you halfway.
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...And thanks very much for your help, miss.
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We've all been there. Literally. It's the least I can do.
I'm turning off the video now, but if all goes well, you should see me in about ten minutes.
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It wouldn't be too long before the artist would become visible. The illusion of being little more than a kid was even stronger in person, with her tiny frame dwarfed by an oversized sweatshirt and large construction boots. Unruly curls, even more tangled than Donovan's currently tousled hair, framed a pixie-like face.
She smiled brightly, welcoming and relieved, when she catches sight of the Sergeant] ...I'm glad that worked.
[she came to a halt when she was only a few yards away, waiting for Sally to catch up before turning back and pointing in the direction she'd come from] We're pretty close, here. We can get you settled, soon.
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[Sally's impression of Jilly's age has had a few years knocked off with the addition of every new piece of information; she's now under the assumption that the other woman is about sixteen, but has decided that's all irrelevant until a later date. For the moment, it's just nice to see a friendly face and to know that she'll soon be out of this godforsaken forest.
She isn't sure she likes the term "settled", though, as it implies she won't be leaving anytime soon, but Jilly is being very helpful and kind and Sally pushes that worry aside.]
Thanks for coming to meet me. I feel a bit dim now; I probably could've gone all the way myself without making you come out in the cold.
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Just because you could doesn't mean you should have to. And I don't mind. This is nothing compared to New York winters.
[As she falls in step with the officer, she gives her a slightly wry smile] Welcome to Luceti.
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You're from New York, then? I've never been. [It seems a safer topic of conversation for the time being.]
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There are people from all over, though. [including other worlds entirely but she'll leave that alone for now] Including quite a few from London and the rest of Britain.
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I've been talking to a few people on...this. [She waves her journal a bit.] Some of them are British. My boss is even here.
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[she looks relieved at that] That's great! Having people from home can help a lot.
...the village isn't bad. Not usually. But it helps to get your feet under you if you aren't doing it alone.
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Not usually. I've heard it's not always peaceful...
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Is there anyplace that is?
[she shakes her head] But...you're right. The not-peaceful that happens here isn't exactly your run-of-the-mill mischief. Which you probably figured out from the wings.
[her expression goes more serious, then. She's not exactly dismayed, but she won't make light of a truly worrisome situation] We're...prisoners? I mean, we have a lot of freedom in the village. And we're cared for well enough. But we definitely aren't free.
There's a barrier that keeps anyone from exploring too far, and there's a war going on that the people here are regularly drafted into. And with a war comes all kinds of complications. [like captors who have no problem experimenting on their prisoners]
But there are a lot of us here...and nearly anyone here is willing to help. No one is dealing with this alone. [a small, serious smile. It doesn't reach her eyes] No one should have to.
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...Sorry; I've a feeling I'm in for a long few days getting used to this.
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And it's not permanent. Some people are here longer than others, but people do go home. We just haven't figured how to get everyone home, yet.
[and there were people who wouldn't want to go home, even if they could, but that was another matter entirely]
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If you mean the place itself...no. Day to day, it's fine. It's even nice. But I can't just accept a place or a people that kidnap and use people at will. There's no excuse for a lot of what happens, here.
But I don't regret being here, either. And if I had a choice to go back home tomorrow...
[she hesitates] I'd go back. I have promises to keep there. But I have people I care about here, too, and responsibilities to them. It wouldn't be an easy choice.
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Sorry. Didn't mean for the conversation to take a turn like that. [Not that it was altogether pleasant before, but nonetheless.]
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